In an industry where “good” is the new “average,” creative professionals must develop a unique, valuable, personal brand if they hope to stand out.
Today, we’ll begin a series that will help you thrive in this increasingly competitive market…
Available exclusively to students, Escape From Art Jail helps you pursue creative freedom by becoming a true, creative professional. Monthly lessons on money, social media, portfolios, self-promotion, networking, managing clients, collaboration and more!
In an industry where “good” is the new “average,” creative professionals must develop a unique, valuable, personal brand if they hope to stand out.
Today, we’ll begin a series that will help you thrive in this increasingly competitive market…
Previously, we analyzed the reasons many artists become frustrated with social media.
…but also why it shouldn’t be avoided.
We’ll present a more sustainable approach in today’s episode…
In part one of this series, we talked about how artists become discouraged and overwhelmed by a lack of response from their followers on social media.
But by holding fast and adjusting your expectations, you will slowly build momentum that will benefit your career long-term.
We’ll help you take your first step today…
Have you ever posted your art on a social media platform only to be disappointed by the lack of response from your followers?
…have you ever been tempted to just delete your account entirely?
Maybe it’s an audience problem…
…or is it an attitude problem?
In this episode, we will help you use social media to discover, understand and reach a potential target audience.
Many artists are under the misconception that “the portfolio” is a fixed, finishable thing…
This misconception can be particularly restrictive at conventions, job fairs and other recruiting events where you get frequent feedback from industry pros.
In this episode we share a strategy that will help you design a physical portfolio that can adapt to the feedback and unexpected opportunities you’ll encounter throughout the event…
Artists often struggle to find a balance between work that attracts Art Directors and work that pleases their target audience.
…but can your work accomplish both things at the same time?
Children’s book author, illustrator and host of Stories Unbound, Shawna JC Tenney, joins us for a conversation about attracting art directors in the field of kidlit children’s publishing.
Most artists dream of making money from their work… but selling your work online, setting up donation buttons, taking payments at conventions… It’s overwhelming.
But what if you could create multiple revenue streams instantly with a single link?
In part 1 of this series, we explored the pros and cons of designing your portfolio around the visual development of an existing story – like a classic fairy tale, literary work or a popular novel.
…but would it be better to create your own original story for your visual development portfolio?
The term “Visual Development” is typically associated with the animation industry.
…but whether you’re a visual development artist, concept artist, illustrator, comics or children’s book creator, your job is to develop stories visually.
…and one of the best ways to demonstrate that you can develop a story visually is to… …well, um… Develop a story visually!
Most aspiring Visual Development Artists base their portfolios on fairy tales or popular novels.
…but would it be better to write your own original story and develop that?